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January 27, 2022
A monument at a Hong Kong university that commemorates the 1989 Tiananmen Square massacre was removed by workers early Thursday over the objections of its creator from Denmark.
The 8-meter (26-foot) tall Pillar of Shame, which depicts 50 torn and twisted bodies piled on top of each other, was made by Danish sculptor Jens Galschiøt to symbolize the lives lost during the bloody military crackdown on pro-democracy protesters in Beijing’s Tiananmen Square on June 4, 1989.
Images taken during the removal process show workers wrapping the statue in protective film and lifting it out of the campus on a crane in two distinct parts. The HKU Council, the university’s governing body, said in a statement the sculpture will be held in storage.
A witness said Thursday morning the site of the sculpture is now empty and students have been seen crying on campus following the removal. CNN agreed to not disclose the name of this witness because the person feared retribution from authorities.
The HKU Council said in a statement the removal “was based on external legal advice and risk assessment for the best interest of the university.”
The sculpture, which stood in the Haking Wong Building of the university, was part of a series of works by Danish artist Jens Galschiøt created in 1997 — the year Hong Kong was returned to China after more than 150 years of British rule.
The sculpture includes the inscription: “The old cannot kill the young forever,” and was built to serve “as a warning and a reminder to people of a shameful event which must never reoccur,” according to the description on Galschiøt’s website.
Galschiøt called the statue’s removal “a very hard attack against the free word in the world.” He told CNN that he hopes to bring the statue back to Denmark so he can reassemble it. His wish is to then bring it to Washington D.C., where he hopes to place it in front of the Chinese Embassy. There, it will serve as a message to Beijing that the massacre is remembered and spoken about, he said.
ARTICLE: PAUL MURDOCH
MANAGING EDITOR: CARSON CHOATE
PHOTO CREDITS: THE GUARDIAN